With Amusement for All

With Amusement for All

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With Amusement for All is a sweeping interpretative history of American popular culture. Providing deep insights into various individuals, events, and movements, LeRoy Ashby explores the development and influence of popular culture -- from minstrel shows to hip-hop, from the penny press to pulp magazines, from the NBA to NASCAR, and much in between. By placing the evolution of popular amusement in historical context, Ashby illuminates the complex ways in which popular culture both reflects and transforms American society. He demonstrates a recurring pattern in democratic culture by showing how groups and individuals on the cultural and social periphery have profoundly altered the nature of mainstream entertainment. The mainstream has repeatedly co-opted and sanitized marginal trends in a process that continues to shift the limits of acceptability. Ashby describes how social control and notions of public morality often vie with the bold, erotic, and sensational as entrepreneurs finesse the vagaries of the market and shape public appetites. Ashby argues that popular culture is indeed a democratic art, as it entertains the masses, provides opportunities for powerless and disadvantaged individuals to succeed, and responds to changing public hopes, fears, and desires. However, it has also served to reinforce prejudices, leading to discrimination and violence. Accordingly, the study of popular culture reveals the often dubious contours of the American dream. With Amusement for All never loses sight of pop culture's primary goal: the buying and selling of fun. Ironically, although popular culture has drawn an enormous variety of amusements from grassroots origins, the biggest winners are most often sprawling corporations with little connection to a movement's original innovators.... in the safety of their own homes, far away from the ghettos, brothels, and gin joints that produced such music, such truancy. ... People arrived from miles around to listen to Uncle Saltera#39;s radio, which ran off the car battery: a€œAll of us would sit up there ... a€œIt wona#39;t last.a€102 Newcomers such as the Warner brothers, determined to gain a foothold in the industry, developed a ... a howl of protest from the standpatters, whose favorite refrain has been, a#39;You cana#39;t do that, a#39;a€ Jack Warner asserted.

Title:With Amusement for All
Author: LeRoy Ashby
Publisher:University Press of Kentucky - 2006-05-12

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